However, we had to wait until the years 1900 before great authors and animators come in to play.
This in order to recreate the illusion of movement. O’Brien fut un pionnier des effets spéciaux du cinéma et se fut connaître notamment pour son travail sur le film “King Kong” (1933).Īs frame-by-frame animation techniques evolved over time, the coming of the film allowed to capture images of inanimated objects. O’Brien et Ray Harryhausen pour ne citer qu’eux. Parmis les pionniers du genre qui allaient marquer l’industrie du cinéma Hollywoodien, se trouvaient Willis H. Il aura fallu donc attendre les années 1900 avant que de grands auteurs et animateurs se révèlent et réalisent les premiers films d’animation en volume. L’apparition de la pellicule a permit la capture d’image d’objets inanimés afin d’en donner l’illusion du mouvement.
Les techniques d’animation image par image ont évolué avec le temps. If you moved an object by mistake, chances are that the animation would not be as good as you hoped it should be! This animation technique is very tedious and often requires to restart the animation. This, in order to recreate the illusion of movement with fluidity.īeware if you have big fingers or lack patience easily. The challenge for the animator is to clearly visualize the timing and the spacing that he would give to his “character” in advance. So, we will take care to move our object -or figurine- a tiny step in space before capturing the next image on film, and so on …
Once you choose which object to animate, you can then stage it like any actor in front of the camera! The goal here is to capture one image at a time. In the case that you use the same technique, but with real people, you would rather speack of Pixilation In short, everything that comes into your hands!īe careful though, to understand that stop motion animation is exclusively reserved for the animation of inanimate objects. To do this, you can use any object, such as a balloon, a figurine, some water or even legos. Stop motion is an animation technique in which we will use inanimate “objects” that we will move image-by-image in space in order to recreate the illusion of movement.
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